<h1>Archives</h1>
    A Reminiscence

    Memphis State Munching Contest

    October 27, 2021

    October 18, 1975

    The McClellan High School band had trekked east across half of Arkansas and the entire breadth of the Mississippi River to compete in the Memphis State Marching Contest.  This was the performance that really mattered, the culmination of all our efforts since marching camp started up in mid-August.

    In no particular order, here follow random memories of that momentous day.  Like unfortunate raccoons, they remain inadvertently captured in the rusty bear trap of my memory.

    Starting early, we rode off into the sunrise in unaccustomed luxury, snugly ensconced in buses that were not even the least bit yellow.  These fine buses were equipped with air conditioning, upholstered seats with headrests, and even toilets.  So superior were these toilets to the McClellan High boys’ room, they had toilet paper, doors that closed, and graffiti that was generally spelled correctly.

    That evening, after the contest, we attended the Memphis State Football game, where we partied until halftime.  Just as McClellan football games, band folks rarely cared about what happened on the field unless a marching band was out there.   Our disinterest was so pervasive, it was downright inconvenient when our football team scored, forcing us to bang out the fight song yet again, perhaps interrupting a nice chat with a cute clarinet player.

    After mesmerizing performances by the two college bands, festivities resumed until we re-boarded the buses after the game.  The long ride home was a delicious 3 hour necking session, although it came with honorary membership in the Blue Balls Hall of Fame.

    Earlier that day, the McClellan band performance garnered a II at contest, the superior I rating eluding us again. 

    As disappointing as our score was, the day remains indelible in my history; it was the last time I would relish a particular treat that, like stepping in fresh saber-tooth tiger poop, can no longer be experienced.

    You see, it was the third and final time I dined at the venerable institution known as Burger Chef.

    In 1954, the first Burger Chef introduced their burgers and fries to the hamburger hungry Hoosiers of Indiana.   This Terre haute cuisine caught on quickly and Burger Chef restaurants multiplied. At one point, there were more Burger Chefs across America than any other burger restaurants with the exception of McDonald’s.

    Since the Baby Boom began, fast food has been hawked by a King, a Red Haired Girl, a White Haired Colonel, or some other clown.  At Burger Chef, the victuals were peddled by cartoon characters the Burger Chef and his young sous chef, Jeff.  B.C. & J., sporting matching baby blue aprons with white polka dots, were perfect spokesmen because they were precisely as bland and forgettable as the food.

    Because of its proximity to the Memphis State campus, or maybe because the place was never overcrowded with eager customers, we dined each year at this famous squat ‘n’ gobble.  

    Winning another II at marching contest could not compete with the crushing disappointment of those limp French fries.  They were such a waste of perfectly good ketchup that France insisted they be renamed.

    In retrospect, it was a good thing we dined at Burger Chef rather than in a nearby Italian restaurant, however much tastier the chow might have been.  Side-effects on the bus trip could have been disastrous.  Garlic, essential to the Italian palate, would have hampered the coming anticipated-and-marginally-supervised kissing session.

    Come to think of it, my testicles might have preferred that.

    Uncategorized

    BFF – Best Friends + Food

    October 11, 2021

    Having moved into our new house in southwest Little Rock that summer, I transferred to Cloverdale Elementary for the first day of fifth grade, just after Labor Day.

    Cloverdale was within easy walking distance of our home, which was a first for me. This was my fourth school during my family’s nomadic period, achieved American style without the aid of camels.

    Unlike my previous changes of school, two other folks had also braved the two mile exodus. My fourth grade teacher, Mrs. Steed, and a sandy haired classmate named Ronnie also made the switch to Cloverdale.

    When Ronnie and I were in line for lunch that first day, he exclaimed, “I’m so excited! I’m going to give you a roll!”

    I was baffled. A roll? Was that some euphemism for a welcoming gesture, like a smack on the shoulder or vigorous noogies?

    “What’s a roll?” I asked.

    He looked at me suspiciously, as if I were reciting love poetry in ancient Sumerian.

    Forming an invisible ball with his hand, he exclaimed, “A roll. A roll. You know, bread!”

    To my disappointment, Ronnie did not share any victuals, although he did bestow a hearty whack on my arm for good measure.

    I made a lot of new friends in fifth grade with whom I would share adventures through high school: Clark Isaacs, Andy McGee, John Farr, Kent Beauchamp. Girls did not yet register as friends, being wholly uninterested in the necessities of life, such as comic books, science fiction, and any green creatures encountered in the back yard.

    My BFITWU (Best Friend In The Whole Universe) was Mark Cook, another smart and nerdy kid decades before it was cool. With horn rim glasses and genial smile, Mark resembled a young Rick Moranis. I took after a youthful Benny Hill so closely that my school photo came with a 45 of “Yakkity Sax.”

    Mark and I were in Webelos together, the introductory year of boy scouts. My mom first met Mark’s mom Pat at a scout function held in a building across the street from the school. Pat said to Mom how she had heard a lot about me, the standard conversational opening gambit.

    After that, I paid no more attention to the grown up stuff. So, why is this meeting fresh in my memory, since it involves no devastating humiliation or empowering triumph?

    That little building was the Charles’ Chips distribution center for the neighborhood, so we were treated to unlimited fistfuls of potato chips at the meeting. It was crispy, salty nirvana for me, chunky junk food monkey that I was.

    If you suspect a theme here, it is that my memories of fifth grade mostly involve food.

    For instance, one of my least favorite memories in fifth grade was Miss Gordon letting us know, from that day forward, we never had to ask permission to scurry to the bathroom.

    That might not sound so bad, but at the time I was swaying at the periphery of my recent hot dog lunch, which had made an unwelcome reappearance on the classroom floor.

    Cloverdale Elementary was the second of my four elementary schools to be destroyed. The first, Rose City Elementary, burned, and Cloverdale was summarily bulldozed.

    I swear I was not in the vicinity for either, and I have witnesses.

    A Reminiscence

    Anti-social Studies

    September 14, 2021

         The first day of sixth grade, I encountered a brand spanking new set of friends when transplanted from my old cadre into the classroom next door.  That day, I met David Stebbins, Carra Bussa, Susan West, Richard Manson, Julia Goodwin, and my first serious crush, Tahnya Hayes, who conveniently sat immediately in front of me.  I always was the lazy sort when it came to meeting girls.

         One new friend that year was Bill Biniores.  Aside from possessing a last name ever mispronounced at first encounter, Bill could never keep his shirttails tucked in.  He was a bit of a schemer, a slacker when most kids were as taut as guy wires.  There was strong evidence that he only combed his hair on Tuesday afternoons and bank holidays.  Bill was unkempt to a degree rarely achieved without having been raised by wolves.

         We had separate teachers for different subjects.  Like a juvenile chain gang, we would shuffle from room to room at regular intervals throughout the day.  Textbooks remained in each room, shared by each class as we entered, and evicted from our consciousness as we departed.

         One day in Social Studies, we were to turn in work that we started the day before in class.  Bill, sitting just to my right, scrunched up his eyes as if pondering weighty matters or having smelled something unfortunate. Moments later, a smile tellingly slid across his face like chilled molasses on yesterday’s flapjacks. 

         He raised his hand and informed the teacher, old Mrs. Counting-the-days-until-retirement (not her real name), that, lo and behold, he had mislaid the crucial homework over which he had slaved so arduously.  Although she forgave the assignment, her face revealed that she trusted Bill as far as she could throw a hippo at an all-you-can-eat-papaya-and-tribesperson buffet. 

         Amid abundant renderings of Batman and Spider-man in my notebook, I discovered a glaring absence of that particular day’s homework.  I was puzzled, particularly since we had no canine that could have eaten it.  I knew I had finished the work, as I had been granted the Steve Hendricks Medal of Valorous Honor upon completion.   This was the highest commendation I could award myself in peacetime.

         The previous day, I had probably folded my answer sheet and absent-mindedly placed it in the textbook, surrendered at the end of class.  I imagined some kid finding the answers, eager to pass off my work as their own.  I took some solace knowing that doing so would serve them right, considering the dismal grades I earned in Social Studies.

         Raising my hand angelically, I informed the teacher that I, the pure, the diligent, the ever-studious, had also misplaced my homework just as Bill allegedly had.  Her face darkened as if her next smoking break had been subsumed by extra hall duty.  Her gnashing teeth drowned out the air conditioner.  As she reached for her paddle, she gave me a look as icy as Robert Scott’s scrotum after a month in Antarctica.

         Called up before the class, I was instructed to bend over and grasp my ankles.  Mrs. Casey-at-the-bat (also not her real name) stepped up to the figurative plate.  I swear she spit in her hands for a better grip.  Ah yes, there was to be plenty of joy in Mudville that day.

         My face was turned toward the class when the blow landed.  My eyes widened and my jaw dropped in my best Stan-Laurel-inspired reaction.  Had I worn a hat, it would have flown up several feet and landed back on my head with a little toot. To the teacher’s puzzled annoyance, the whole class laughed.

         I was pleased to have turned shameful punishment into a bit of clowning, even if my backside bore the brunt (literally, the “chief impact”) of the jest.

         This was the only spanking I ever received, unjustly prescribed for bad timing in proximity to Bill.  However innocent I was that day, in light of later adventures, the paddling could be reckoned as front-loaded karma, a down payment on shenanigans to come.

         In April 1973, Bill’s father received a patent for a newfangled toilet cutoff valve and the family got a nice financial boost.  Bill dressed snappier after that, and he displayed increased confidence and poise, but his roguish shirt tails remained forever untamed and untucked.

    A Reminiscence

    1970 – Tying the Knot. Or not.

    August 20, 2021

         My friends were depending on me to knot the rope and save us.  Everything hinged on my dusty Boy Scout knot-lore, and things were looking as grim as an 8 am meeting in the principal’s office.

         Years earlier, my parents decided I needed hobbies other than reading comics and watching Gilligan’s Island reruns.  Options were limited in Arkansas circa 1968, so my new adventure entailed joining Cub Scouts and learning to make authentic Native American drums from Folger coffee cans. 

         Each week, Mom dropped me at the home of my Cub Scout Den Mother.  This misguided woman must have loved spatter as a decoration motif, given she routinely hosted ten year old boys armed with paint, glitter, and squirtable bottles of Elmer’s glue.

         After years of defacing coffee cans and not a few items of furniture, I matriculated to the Boy Scouts of America, or BSA for short.  Since I needed a new costume and accoutrements, Mom drove me to the Official Boy Scout Store.  There you could purchase overpriced official scout gear in various shades of khaki, sort of like Louis Vuitton for tragically bland tweens.

         We bought an official scout back pack, shirt and trousers, cap, scout manual, and neckerchief.  We did not spring for the official scout pocket knife, compass, tent, sleeping bag, hiking boots, matches, flashlight, flint and steel fire starter kit, or the (conveniently never needed) snakebite kit.  I urged a splurge, but Mom was reluctant to sell internal organs to pay for it, even though she was hardly using her spleen at the time.

         The Boy Scouts organization was something of a paramilitary wannabe, with rank earned by acquisition of skills.  Emphasis was placed on expertise deemed necessary upon debarking the Mayflower with only a pen knife, a prayer book, and a hat with a buckle on it.

         Like all scouts, I started at the bottom of the pecking order.  The entry level rank was called Tenderfoot, which in my case equated to “Dies when left without potato chips.” 

         After learning something tangentially useful to modern life, you could ascend to Second Class, then to First Class, and maybe another one or two until you got to Eagle Scout.  At that point you were qualified to wrestle grizzly bears in your official Scout loin cloth.

         In those days, to achieve Second Class, you had to endure three ten mile hikes.   There were other feats and oaths involved, but those excursions were my particular bane.  I had a disease in my knees known as Osgood Slaughterer’s Disease, so my knees hurt often, and the pain worsened with exercise. Long hikes settled on my list of preferred pastimes just under listening to Great Uncle Bill enumerate his prostate issues.

         My scout troop Leader was a wiry little guy named Mr. Valez.  He had a curious accent that always put me in mind of German war criminals escaped to Venezuela.  He would clip his words, hammering consonants as if they were wanton gophers frolicking in his flower garden. 

         Mr. Valez plastered his graying wavy hair to his scalp with something resembling bacon grease, and was a stickler for the Boy Scout Way.  He was not the kind of guy who would let you slide by with just two ten mile hikes.  Like a mistranslated Nazi interrogator, he had ways of making you walk.

         Early on, I had ticked off all the accomplishments needed to advance several levels except for that confounded third hike.  Being a Tenderfoot for two years was very disheartening, and I found myself caring less and less about the scouting skills I had mastered.  Before long, I had forgotten how to tie a half-hitch, build a dam from Popsicle sticks, and skin a ferret using only an old sock.

         One weekend, there was a big camp-out on Sardis Road, a semi-rural bit of land being eyed for future housing development.  The construction company had offered use of the land to the scouts in the hope we would chop down trees and wreak extensive havoc, thereby saving them some land clearing costs.

         Mr. Valez informed us we were in for a treat for Friday night supper.  We lit a fire, set up a tripod, and suspended a coffee can (without drum decorations) over the fire.  We filled the can with water, potatoes and carrots and let it hang over the fire while the smoke blew straight in my eyes for what seemed like 7 hours.   During the wait, we did all that scout stuff Mr. Valez lived for, like talk about scouting, play scout games, recite scout pledges, and pee in the woods.

         When the stew was ready, Mr. Valez spooned some into our official Boy Scout mess kits.  I detected subtle but unmistakable undertones of Maxwell House.  Everyone but Mr. Valez gave the stew a pass because it was godawful to the last drop.

         While the Boy Scout motto is “Be Prepared,” temperatures unexpectedly dropped that night, and we were caught with our cargo shorts down.   I had not packed for weather less temperate than balmy to middling chilly.  My light windbreaker was woefully insufficient.  My black leather Buster Brown dress shoes were useless against the cold.  In short, I was woefully undersupplied for an expeditionary force in the frigid heart of Southwest Little Rock.

         That night, I discovered that my sleeping bag was little better than an oversized pillow case with a zipper.  I crawled from the bag, assumed the khaki, and took a hike (figuratively only, alas).   A few of my fellow scouts were standing around the fire trying to warm up.  I had lost feeling in my extremities, so I held one foot over the fire hoping to stave off frostbite.  My preferred toe allotment has always been ten. 

        After a couple of minutes pondering how smoke always knows where your eyes are, I was startled from my reverie when my friend Andy McGee pointed out that my shoe was smoldering. In fact, little flames were flickering off the shoe itself.  I stomped out the fire, but the melted rubber underside caught up grass and leaves before it solidified again.  Even with the avant-garde fashions of the early 1970s, I was the only kid sporting a shoe with dead flora embedded in the sole.

         An hour or two before the sunrise, I slipped back into my sleeping bag.  As daylight appeared, Mr. Valez creeped into the tent to awaken us.  I was very groggy, so he grabbed me by the shoulders and shook me.  My head snapped back and forth on my shoulders like a rubber chicken in an over-caffeinated Rottweiler’s jaws.

         Eyes wide with horror, my tent mates Mark Cook and John Farr jumped from their sleeping bags, as awake as if they had simultaneously experienced a double espresso, a generous snort of cocaine, and an electric shock to the genitals.   

         I was still groggy and now dazed as well, but Mr. Valez decided to apply a little more stimulus.  He snapped my head back and forth a few more times.  Mark and John looked on, laughing nervously, while my noggin made those cartoon punching bag noises, buggeda, buggeda, buggeda, buggeda.

         I begged him to stop while my head was still attached, so he left to torment other kids.  My abused neck put me in mind of Marie Antoinette, but there was not even any cake for consolation.

         Later in the day, it came time to show off our Scouting expertise in competition.  In the center clearing, the older scouts demonstrated the most vital of all survival skills.  Reverently passed down from generation to generation, we called it “cheating.”

         Lessons learned that day include that a wristwatch will help you time a run better than counting, and that flint and steel are hopelessly outclassed by a Zippo lighter, especially one with a topless hula girl etched on the side.

         At the knot tying competition, we lined up and were each presented a short length of rope.  My best friend Mark and I were the last two in line.  The judge came along and gave each of us a knot to tie, such as a bowline, clove hitch, or stopper knot.  When he got to me, he pointed at the rope and declared, “inverted Möbius strip knot”, or some such thing.  Of course, REAL scouts could tie this knot one-handed while extemporaneously composing an ode to small woodland mammals.

         So there I was, stymied by a piece of limp hemp.  I had forgotten every blessed knot except the common Granny knot and her straitlaced cousin, the square knot, neither of which the pitiless bastard had assigned to me.

         Mark quickly and competently tied his knot.  He shrugged sympathetically, knowing there was not a chance in hell that I could tie my knot or help me, best friends or not, with the scoutmaster just feet away.  I distractedly tied a square knot as I watched the judge shuffle along the line toward me and Mark.

         After awarding Mark ten points for correctly tying his assigned knot, the scoutmaster looked at the rope in my hands.  “Square knot?” he asked. 

        “Yes,” I mumbled, eyes downcast with shame because I had been caught out, “it is a square knot.”

         “Great! Ten points!” he said, turning and heading away to tally up the points.  Mark and I turned to each other in shock and relief.  I had gotten the points without deserving them!  The elder scouts later expressed admiration for my innovative use of truth and sincerity to devise a whole new class of cheating.  I was a bona fide hero, the living embodiment of the BS in BSA.

         Soon after, scouting fell from my attention, replaced with Operation Hormone Storm and the attendant rediscovery of girls.  Thus began my miserably shy dating period, when I found talking with girls difficult (fortunately this spell promptly ended when I turned 40).  Even so, frustrated dating was preferable to tying knots, melting shoes, and eating coffee flavored stew. 

         However, I soon found that, in courting as in most endeavors, it is rare to win ten points for guileless ineptitude.

    A Reminiscence

    Con-fab-u-la-tion

    May 18, 2021

    45 years ago today, May 18, 1976.

    It was the final days of my senior year at McClellan High School. My stint as humor columnist and cartoonist for the school paper, The Lion-Up, was ending with the last published issue of the year. Good-bye, grueling monthly deadlines forcing me to do something creative for 2 days out of every 30!

    My junior year, I was the cartoonist, the first job for which I proved completely inadequate, as well as general gopher. I reported all performing arts related news, including the band and choir, employing a style best described as dull, if not downright soporific.

    For the last issue that school year, I provided a full page illustration for the front page. It was a shameless rip-off of a Superman comic book cover, although most lazy hacks prefer the term “homage.”

    Twenty years later, when I confessed my misdeed to Neal Adams, the creator of the original cover, he shrugged it off, saying, “That’s okay. It has been ripped off about a thousand times now.”

    While this revelation fostered my sense of inept artistic community, my guilt was slightly elevated upon learning that I was unoriginal even in my unoriginality.

    I was rewarded for my near-total lack of cartooning skill my senior year, when I became cartoonist *and* columnist. I named my humor column con-fab-u-la-tion because I envisioned it as a sort of informal chat. Each issue, I spewed whatever inanity I wished, foisting my overdeveloped sense of sarcasm upon an unwitting, occasionally unconscious, readership.

    My final con-fab-u-la-tion column appeared in that May, 1976, issue, marking the last time for decades that anything I wrote was willingly read by more than 2 people. After that, I relied on the fact that people will peruse almost anything for pizza or booze. I hear 3 crates of gin worked wonders for Fitzgerald and “The Great Gatsby.”

    In the ’90s, overcome by a desire to relieve myself in the waters of historic accuracy, I wrote “A Briefe History of the Codpiece.” My first “fact-free treatise” enjoyed meager popularity in various SCA newsletters, then online in the early days of the internet. (“Yeah, we didn’t have it easy like you young whippersnappers! We had to write our own HTML back in those days, which we chiseled into stone tablets.”)

    A fitting epitaph for me, here are my last words to the McClellan student body, or at least the literate members thereof.

    “In retrospect, I would like to say to those who (sic) I have insulted in one way or another that I am sorry.
    “Sorry that I cannot come back and insult you again next year.”

    Stage Band 1973
    A Reminiscence

    Still a Part of Me

    April 23, 2021

         I recently framed a photo and placed it where I can fondly glance at it between bouts of internet time wastage. It shows the 1973 Cloverdale Stage Band, seventeen young musicians posed on gym bleachers to be immortalized for the school yearbook.   This was about the time teenage hormones commenced steering us onto the path of boneheaded decision making.

         In the year since the COVID-19 pandemic started, when I have seen none but my wife and children, the photo reminds me that I once saw these friends almost every day, taking for granted that they were a part of my life and would always be.  Two of my best friends in the photo, David and Andy, are gone now, and others are just electronic wisps on Facebook.

         David is front and center in the photo, the only person dressed all in white, almost ethereally pale amid a riot of color, shiny instruments, and mildly regrettable 1970s fashion.   

         As soon as I met David in sixth grade, we became great friends.  Our mutual love of comic books inspired us to team up and create comics of our own.  We taught ourselves tennis, having gleaned the rules by watching Billie Jean King thrash Bobby Riggs on TV.  We won medals at Solo and Ensemble Contest playing saxophone together.  We spent hours sitting on the railing at his house, crunching ice, insulting each other for fun, just hanging out.

         About the time of the photo, David informed me that my girlfriend had asked him out.  Thank goodness I did not have her name lovingly tattooed in a heart on my arm, although it had been a glorious 15 days and 2 hours.

         David told me he was not planning to go out with her, being uninterested in girls.  I told him how lucky he was because I could not stop thinking about them every waking moment.  It was 20 years later before I heard what he was really telling me and understood the incredible level of trust and friendship he placed in me that day.

         Last night, I dreamed of David.  It was the version of David who once appeared every year or so in my dreams, tight-lipped about having returned from a secret mission up the Amazon, or having been kidnapped, anything but having died of AIDS back in 1992.

         In the dream, David’s mother Dolores came home, not greeted by her deliriously happy little dogs as she had been in reality.  We discussed David’s life since I had accidentally encountered him on the UALR campus in spring, 1978.  At that time, he had excitedly told me about meeting a theater teacher who had known his dad, and how wonderful it was to learn more about him.  When I was done recounting this real world event, Dolores was quiet, her eyes were closed and she lay unmoving on her bed.  I left the room, turning out the light as I left.

         In the living room, I turned to David, saying, “Spirit, it is time to go.”  He stood and I embraced him, telling him how much he had meant to me, how much I missed him, that everyone had thought the world of him.  He seemed happy to hear it.

         I awoke with tears on my face, feeling the loss as if it happened moments rather than decades ago. 

         Today, I am thinking of the tiny but vibrant fragments residing within me of all the people I have known and loved.  I am grateful  that they remain a part of me still.

    Stage Band 1973
    A Fact-free Treatise

    A Briefe History of the Codpiece

    March 12, 2021

    Part the First


    The codpiece has held a certain fascination, as well as other important items, for those of us involved with historical reenactment of the Renaissance. It has been regarded with fear and ignorance by many and a certain reverence by others. This discourse aims to dispel the fear and ignorance, and if you lack reverence, I can suggest a google search that will either help or turn you off wieners forever.

    Codpieces were the first defining items of high fashion, having made their debut in the garden of Eden. These original codpieces were made of fig leaves, and seem to have been worn by both Adam and Eve. It is impossible to determine whose idea they were, but suspicions fall on the serpent, since at that time the codpieces were called, respectively, a “zucchini crisper” and a “muffin bin.”

    Many have assumed that the “cod” in “codpiece” referred to a fish. Because of modern slang usage, or perhaps due to total loss of touch with reality, some have assumed that “piece” meant a firearm. Historically, the codpiece existed several decades before Leonardo da Vinci invented the fish-gun after eating too many special mushrooms in his cannelloni.

    In Middle English, “Cod” (or “Codd” in Old English, “Coddd” in Exceedingly Old English) meant “bag” or “scrotum”, which led to some interesting moments when dining out at the Renaissance equivalent of Long John Silver’s. “This is the tastiest codd I’ve ever had in my mouth” was a guaranteed show stopper, bringing about numerous jokes and a homicide or two.

    The medieval codpiece began as a flat piece of material covering the hot new thing in men’s clothing — a well placed slit. This new, “easy access” feature allowed men to relieve themselves while standing without lowering their pants or tights. Soon after this technological breakthrough, some wit coined the popular after ale phrase “Once more into the breeches.”

    The simple flap was buttoned closed, laced closed, tied closed, or occasionally glued closed after a particularly exciting night at “The Yellowe Rose Publick Howse and Gentlemen’s Clubbe.”

    Henry VIII and His Contributions

    The codpiece remained flat cloth for a number of years. On a visit to Hampton Court, Duke Fabrizio of Bologna was enjoying an afternoon idyll between consenting adulterers, when he was called to the court. Dressing hastily after his interrupted interlude, the Duke employed the flap to contain his semiconscious nether parts while appearing before King Henry VIII and Queen Anne Boleyn.

    Queen Anne, amused at the Italian’s conspicuous bulge, remarked “Be that thine codling or art thou glad to see me?” Of course, “codling” is 15th century English for either a “small, immature apple” or “any of several elongated greenish English cooking apples,” so we may never know if the Duke’s fruit was being ridiculed or complimented.

    King Henry was distressed by the whole business and assumed this bulge (from Middle French “boulge” meaning “leather bag” or “curved part”, or perhaps “curved part in a leather bag”) to be the latest Continental style in courtly fashions. He immediately ordered his codpieces padded in order that he not look out of date by comparison to Duke Fabrizio, commanding, “My codpieces must compare favorably to Bologna.” Those tailors, very literal-minded fellows all, envisioned pork sausages and thus began the whole size contest that continues to this day.

    Historical note: Catherine Howard, Henry VIII’s fifth wife, was executed in 1542 after only 2 years of marriage to the monarch. The real story behind her death is revealed here for the first time. Henry had returned weary and ill-tempered from a conference with Henri II, king of France, where they had argued about the ownership of Normandy and how to spell “Henry.” Catherine lost her head both figuratively and literally when she pointed to Henry’s newest and largest codpiece, smiled wryly, and tittered, “Compensating much?”

    The End of an Error

    The codpiece fell from popularity in the 17th century with the rise to power of the puritan movement. As the puritans gained control across Europe and most especially in England, they enacted harsh and sweeping laws intended to remove all traces of sexuality, music, dancing, theater, and vegetables not boiled to mush.

    Codpieces paused in their long slide to sartorial irrelevance in 19th century London. They re-emerged briefly as a so-called “Victorian Secret,” for clandestine sale alongside fellow feature enhancers including the bum roll, the peascod stomach and the Bosom Enhancer of Miracles.

    The codpiece made only the briefest of comebacks in 1941 during a photo shoot for “Week-End in Havana.” Cesar Romero, known for being quite the joker, snatched a banana from Carmen Miranda’s headdress and dropped it in his fanny pack. Carmen acknowledged that the impromptu banana codpiece “certainly has appeal,” (we will never know if she admired it or was just stating the obvious) just before her panties disintegrated. Neither Cesar, who was gay, nor his banana rose to the occasion.

    Warning to historical reenactors looking to purchase a codpiece to complete their costumes: while it may resemble one in certain particulars, the so-called “strap-on” is not a codpiece. As such, it should be avoided for recreation of historical events, although it may well invigorate recreation within the bedroom, throne room, or maid’s quarters.

    cod100cod2100foof100steel100
    Common or
    “bologna” codpiece   
    Egg-shaped or
    “huevos rancheros”
    codpiece  
    Be-ribboned or
    “foofy” codpiece   
    Armored or
    “sausage o’ steel”
    codpiece
     

    Coming in Part the Second

    More word origins – What happened when the codpiece of King Richard III (Dick to his friends) came unbuttoned.


    A Fact-free Treatise

    Air Lute: A Short Historical Perspective

    March 1, 2021

    Generally overlooked by modern music historians, the Air Lute has faded from view since its heyday as the preeminent intangible instrument of the Renaissance. It is unfortunate that the instrument and its repertoire remain largely unnoticed today.

    The Beginnings

    bluebox
    figure 1: Air Ud
    (a modern reconstruction)

    Air Lute performance arose in Europe after the introductions from the East of the Ud, a stringed instrument with 6 courses of strings and no frets, and the concept of numeric zero. Revolutionizing first mathematics and then music, it was only a matter of time before they merged to produce the Air Ud.

    As opposed to the finger plucking technique later developed for Air Lute, the Air Ud was played with a simple, illusory plectrum. Demand for invisible feathers as picks brought several mythical bird populations to near extinction level.

    With the dawning of the Renaissance, the unfocused expression on the face of music changed. Just as the Mediterranean Ud had earlier been adapted into the European Lute, the Air Ud metamorphosed into the Air Lute.

    An Air Ud could be very quickly and easily converted to an Air Lute, and at virtually no cost, unfortunately leading to the impoverishment of most Air Luthiers. Perhaps also as a result, no Air Uds have survived from that period. This has lead to speculation that Air Ud may never have existed in the first place, which is an absurd statement any way you look at it.

    Modern descendants of Air Ud are still played throughout the Middle East and wherever quality hashish is served.

    bluebox
    figure 2: Air Lute
    note similarities to Air Ud

    The Air Lute Winds Its Way Across Europe

    In nothing flat, the Air Lute became a favored instrument across Europe, where it was known by many names.

    In Spain it was called the “vihuela de nada.”

    In the area that is now Israel, they were apparently called “Air Jordans,” although research into etymological veracity is still afoot.

    In the Netherlands, where the Lute had a strong sexual connotation owing to the fact that “lute” also meant “vagina,” the initial “a” in Air Lute was strongly aspirated to produce “Hair Lute.” This was considered wonderfully naughty and consequently very funny by the Lowlanders, who didn’t get out much.

    While Air Lute offered many advantages over the Actual Lute, the most desirous may have been the elimination of endless tuning. Like a Venetian courtesan during Carnevale, the Air Lute was always ready to go.

    Because of its near indestructibility and ease of transport with regard to space and weight considerations, all noblemen carried their Air Lutes with their entourage at all times. This, combined with the ease and speed with which most could master the Air Lute (its a breeze, there’s practically nothing to it), helped make it the most popular and expressive instrument of all, sometimes called the “Virgin Queen of Imaginary Instruments.” Virgin, of course, because it has never been plucked.

    The Technique

    With the increasing complexity of music for Air Lute, a new finger plucking method developed employing the thumb and the first three fingers of the right hand.

    Owing to the relaxed nature of Air Lute, which had no soundboard to use as an anchor, the pinky finger and even the elbow were occasionally employed for added artistic expression.

    The basic technique involves stroking and plucking the hypothetical strings with the right hand, accompanied with an often whimsical movement of the fingers of the left hand.

    The best Air Lute performances are accompanied by music from another source. Nobles would generally perform to the music of actual lutes, while peasants often had to make do with howls of stray cats outside their hovels.

    Complaints by Real Lutenists of the fitful temperament of their strings and the difficulty of tuning would often fall on unsympathetic ears, since tuning gut is measurably more tricky and dangerous while still inside the cat.

    Ornamentation

    The earliest documented ornament is the “squint.” It involves a tightening of the face around the eyes suggesting either an attitude of concentration, flights of musical inspiration, or a precipitous onset of dysentery.

    Another crowd-pleasing flourish was the “nodding dashboard ornament,” or N.D.O., wherein the head is bobbed in time with the music. Most dramatic when  executed with luxurious tresses, this ornament brought an influx of weavers from what is now Iran.  They created a special hairpiece for Air Lutenists who were follicly challenged, dubbing it the “Persian rug.”

    With the “grimaccio d’amore” (from the fake Italian), the teeth were bared as if in great anger. Due to substandard dentistry, many avoided this flourish in the daytime, preferring the “protruding tongue of St. Edmund.”

    The squint, N.D.O., and the grimaccio d’amore were sometimes combined for especially difficult passages or to frighten off vexacious neighborhood children.

    Contrary to popular belief, the “flaming tongue” ornament was not used in period. It was conceived circa 1913, when pioneering air guitarist Andres Segovia employed it before packed audiences of swooning señoritas in Seville. This ornament proved so potent that it made the transition from Air Guitar to Actual Guitar and then to So-Real-You-Can-Trash-a-Hotel-Room-With-It Electric Guitar.

    Other Air Instruments

    Air Wind instruments with few exceptions (see Air Sackbut below) were scorned by genteel company. It seems that having “air” and “wind instrument” together in the description was too tastelessly evocative of cutting the cheese.

    While lute was the undisputed leader among apocryphal instruments for solo work, the Air Viola da Gamba (or simply Air Viol) was the favorite for consort music with imaginary friends.

    Air Viol was gripped between the knees in a manner similar to the modern Air Cello, although with no imaginary end pin. This made the Air Viol more tiring to play, especially so for hypochondriacs.

    After almost a century of great popularity, Air Viol began to lose ground to Air Violin following a shift from intimate settings to larger venues for musical performance. Since Air Violin could be played standing and even while walking about, it allowed musicians greater mobility and unfettered buffet access.

    Ambulation with an Air Viol nestled between the knees was a tricky business. Attempts resulted in several arrests for indecency and at least one impromptu proposal of marriage.

    The death knell for the Air Viol sounded when the 17th Earl of Presley introduced the “pelvic thrust.” Performing this lusty ornament while scissor-holding an imaginary viol caused the instrument to shoot out like a watermelon seed and shatter into countless insubstantial pieces.

    Once imagined, the Air Sackbut became and has remained an unlikely but compelling force in the nonrealistic music world. While exact reasons for its continued popularity remain conjectural, simplicity of performance has gained traction among academic circles and Nordic drinking societies.

    Playing Air Sackbut involves constant movement of the slide from first position to sixth position and back again, ad infinitum, and the only ornament ever used is the “dancing eyebrow.”

    asack1
    figure 3: Playing Air Sackbut

    The Demise of the Air Lute

    It was clear that the Air Lute was disappearing from the musical landscape. Changes and improvements in musical instruments over time continued to render instruments obsolete. In the 17th century, for example, the Air Dulcian was replaced by the Air Fagott Horn to general merriment.

    Almost alone in his admiration for “der Luft Lute”, Johann Sebastian Bach wrote some of the last works for the instrument. The most famous (and precisely named) being “Air for the G String.”

    In the late 19th century, philosopher Friedrich Nietzsche gave a rare nod of approval to the Air Lute. Citing it as the very personification of skepticism and the arbitrary nature of existence, Nietzsche called it “der Katzenstiller Meowen des Nichts,” or “the silent cat’s song of nothingness,” which is Teutonic slang for “kinda like nihilism.”

    In the early years of the 20th century, Air Classical Guitar completely displaced the Air Lute, evolving into the preferred hypothetical pluckaphone for musical performance. With only a brief surge of popularity due to the movie “Deliverance,” Air Banjo never had a chance.

    Whether or not Air Lute will make a modern reappearance literally remains to be seen.

    Exciting New Innovations

    The ongoing invention of new real instruments inevitably leads to the creation of new fictional instruments. One recent invention is Virtual Midi Keyboard, reiteratively removed from reality by reason of being a nonexistent instrument used to imitate other nonexistent instruments.

    Most exciting of all is a revolutionary hybrid instrument introduced in the movie “Tous les Matins du Monde.” (English title: “All the Matinees are on Monday”) The actor playing Ste. Colombe has pioneered a new area of pseudo-musical endeavor. Essentially playing Air Viol, he does so while actually holding a viol and bow! His mastery of avante garde Air Viol technique is demonstrated when fingers and bow do not move with the music, and fretting occurs with an inspired disregard for verisimilitude.

    Such a provocative new concept cries out for Air Lute application, perhaps in a big budget bio-pic about John Dowland. Master Dowland was a preeminent composer, noted lutenist and thwarted sycophant to Queen Elizabeth. His composition, the melancholy masterpiece “Flow My Tears,” was the late 16th century equivalent of “Stairway to Heaven.”

    Conclusion

    The study of Air Lutes is a challenging one fraught with unforeseen, and indeed, unseeable, difficulties.

    Reconstruction of technique is problematic at best. Study of the instruments, especially with an eye to historically-informed reproductions, is made exceeding difficult by two problems.

    Firstly, but not surprisingly, there is absolutely no iconographic evidence of any kind. No paintings, no sculpture, no drawings. Zip.

    Secondly, the unavailability of Air Lutes in museum collections is distressing. At every occasion when I find myself at an exhibition of early instruments, Air Lutes are represented by an empty stand bearing the note “Temporarily Unavailable for Viewing.”

    A Reminiscence

    A Tail of Woe

    February 20, 2021

    A Tail of Woe

    Monday, January 2, 1978. 

    The Arkansas Marching Razorback Band was in Miami for the Orange Bowl, affectionately called the Balaba Bowl by band members.  Perhaps because of their similarity to oranges, balabas was a band-coined euphemism for breasts, which coincidentally were my primary goal in life at that time.

    Heedless of the snow that had fallen, we held a Saturday morning halftime show rehearsal in the stadium the week before Christmas.  Our intent was to honor balabas everywhere by keeping our show in tit-top form.  We planned to knocker it out of the park.  (Sorry, but breast-based puns also come in pairs.)

    Owning no legitimate footwear for traipsing in snow, I inserted my Converse high-tops in plastic shopping bags to keep them dry.  I tied the long drawstrings to my belt to prevent the bags from falling around my ankles.  It looked exactly as absurd as it sounds. 

    The smooth plastic bags provided scant traction on the snow.  After executing a  slippery 135-degree turn, I double-timed my steps struggling to regain my position in the formation.  Abruptly, my feet slid from under me, and I landed squarely on both knees. 

    The discomfort involved was augmented by the 40 pounds of brass Sousaphone resting on my shoulder.  With tears freezing on my cheeks, I experienced a momentary-but-intense envy of piccolo players.

    Our director Mr. Janzen called off the rehearsal as a tragically nonproductive endeavor.  We were relying on sunny Miami to polish up the halftime show properly, since it was likely to snow in Florida only if Hell froze over first.

    We arrived in Miami on New Year’s Day via chartered flight from Little Rock.

    Checking into the Sans Souci Hotel in Miami Beach, we discovered that the legal drinking age in Florida was 18.   Without fanfare, the trumpet section disappeared with their suitcases into the hotel bar, resolving to abide there so long as there was booze in Florida and a Mason jar to drink it from.

    Halftime at the bowl, we played “Swingin’ on a Star”, “White Christmas” – a surreal choice for January in Florida – and a medley of “Blue Suede Shoes”, “Love Me Tender”, and “Hound Dog.”  

    We concluded our presentation with the rousing Arkansas Fight Song as we formed the large letters “ARK”.  As it had poured buckets, barrels and buttloads of rain before the game, this might have been construed as a musical nod to Noah.

    In the third quarter, band members were dismissed to seek refreshments or bladder relief.  Strolling past the concession area, I spied a souvenir pennant on the ground inches away from a puddle of rainwater.  What a stroke of luck!  A free memento of my last bittersweet performance with the Razorback band.

    I squatted down to pick up the pennant, avoiding the puddle, mindful of my loose white woolen slacks with the spiffy red stripes down the side.  I was surprised to hear a suspicious tearing sound.

    Investigation revealed that a crucial seam had behaved rather… unseamly.  My pants yawned open from the bottom of the zipper in front to the belt loop in the back.  This was no humble inch long rip.  This was the Grand Canyon, the Marianas Trench, Dolly Parton’s cleavage.

    That season, when the band entered a stadium, the twirlers, percussionists, and flag team led the way.  Next came the instrumentalists with your humble narrator at the fore.  Over the course of my two seasons with the band, TV cameras had occasionally shown images of me marching, playing, or calling the hogs.  I feared it could happen again, broadcasting my Fruits of the Loom to an unsuspecting world!

    I really needed to fix my wardrobe malfunction before I led the band from the stadium.  Without needle and thread, a stapler or even superglue, I was desperate. 

    Doing his best Sherlock Holmes, Boyce quickly deduced the seat of the matter.  “You need to trade pants with someone.”

    As a work crew member, fellow Sousaphone player Tom Spicer would not march out with the band.  Tom agreed to loan me his pants.  My trace amount of remaining dignity was saved!

    Since Tall Tom’s inseam was 5 inches longer than Short Steve’s, I folded up deep cuffs in his pants legs.  One obstacle with large cuffs on a pair of heavy woolen pants is that when marching briskly out of a stadium, they rapidly shed all cufflike qualities.

    I was in danger of stumbling over pants legs now stretching to my toes.  The memory of my recent fall fresh in my mind, I steadied my Sousaphone with one hand.  With the other, I grabbed both pants legs at the knee and pulled them up as high as I could, which was about crotch level.  It was an absolutely dignity-free moment. 

    We changed out of our uniforms at the band buses and everyone gathered around the uniform van to fork over our uniforms.  I handed in my distressed regalia, all bagged tight, damages hidden from view.  I neglected to mention that the britches, normally very toasty, now employed cutting-edge air-cooled technology.

    I sometimes imagine that the torn trousers are on display in the Marching Band Hall of Fame over a plaque reading “Steve Hendricks did this and therein lies a Ripping Tale”.  

    A Reminiscence

    Mayhem Under the Mistletoe

    February 1, 2021

    It was Saturday night after the band’s holiday concert. Since I was a groovy band kid, I was invited to a post-concert party at the home of band sisters Carol and Cheryl Mathis.  Carol played baritone sax, and I played tenor sax, so we often sat together in band.  Carol could chew gum and play sax at the same time.  Such faculty was a source of wonder and admiration for me.

    The Mathis house was situated on Baseline Road, one of the major thoroughfares of Southwest Little Rock.  It was just around the corner from Billy Pearrow, a good friend and future perpetrator of teaching me to play trombone.

    The house was filled with interesting things, unlike mine which was sparsely decorated with a trio of sailing ships that Dad painted-by-number and a couple of paintings that came free with the purchase of a couch.  

    The Mathis family owned a real, genuine, honest-to-goodness player piano.  It was perhaps the coolest contraption I had ever seen.  You could almost imagine the ghostly fingers of Irving Berlin banging away at the keyboard, if only he had been dead by then.

    My trumpet playing friend Gary Graves and I were lurking in a corner of the living room trying to appear suave.  I had dressed to impress, smartly clad in a turtleneck sweater, plaid bell bottoms, and a belt with a massive peace symbol buckle that, in an emergency, could be used to kill someone.

    At one point, Gary stopped responding to my impromptu dissertation on the meaning of life (girls), the secret of happiness (girls), and my favorite thing in the whole world (pork chops.  Ha.  Only kidding.  You guessed it was girls, didn’t you?).

    I followed his gaze across the room to a particularly cute young lady with a mischievous twinkle in her eye.   Her name was Roseanne, and I had seen her around the band room.  She had the kind of aura that causes level-headed men to absent mindedly walk into walls, unbalanced men to cut off an ear, or in my case, to fall head over heels.   I’m getting ahead of my story, but I want to reassure you that no body parts will be detached in this remembrance.

    Gary and I were stealing glances her way, ever so cool and disinterested-like, while our hormones conspired to devolve us several rungs down the evolutionary ladder.   Our communication skills stabilized around early Neanderthal.  It was only with effort that we did not start finger painting woolly mammoths on the walls.

    To our amazement, Roseanne deliberately stationed herself under some mistletoe hanging near the front door.  She then looked around the room as if to say, “Well, what are you waiting for?” Astonished at such a grand and magnanimous gesture in the spirit of the season, Gary and I felt obliged to express our appreciation.

    An encounter under the mistletoe was far more thrilling than anything Kris Kringle ever deposited under the Christmas tree.  What luck that I was invited to this splendid party.  Joining band was the smartest thing I ever did.  This was shaping up to be the best Christmas ever!

    When I arrived at the front of the line, Roseanne’s bright and inviting eyes turned to me.  For reasons unfathomable by my conscious mind and completely at odds with my endocrine system, I shyly demurred from the proffered kiss.  In the fiery crucible of teen-age lust, my bravery was transmuted to cranberry sauce. 

    Meekly casting my eyes downward, I started to make room for the next eager participant.  Before I could move, Roseanne threw her arms around me and situated her lips decisively on mine.  Recovering enough to wrap my arms around her, I proceeded to lose my balance in the most literal fashion.  Together we toppled over the short bookcase behind me, still kissing. 

    We received a round of applause when we climbed back to our feet.

    When Roseanne left the party, she allowed me to escort her to her parents’ waiting car.  Strolling down the driveway, I learned that she was dating Dave Daugherty.  Dave played French horn in band.  He drummed in the rock band Brave New World with my excellent friends Richard and Clark.  Just to rub it in, he was a year older than me, the fiend.  This advantageous combination made him unassailable boyfriend material. 

    Perhaps to indicate that I had zero chance of ever tumbling over another bookcase with her, Roseanne casually informed me that “French horn players are the best kissers.” Before that night, I had never been envious of any musician who shoved their hand up their bell.

    Even though the kiss was not so much a kiss as a lark, I was eager for more!  I was cognizant that only some rare alignment of the cosmos had granted the evening’s opportunity; I happened to be the right shy dork at the right time, namely when Roseanne was feeling flirtatious.  That party was the only time being mild-mannered got me anything but neglected. Not that I was complaining, mind you.  As Sam sang in Casablanca, a kiss is still a kiss.

    On the list of 22 women I have kissed in my life (Division 1A, Romantic, discounting spin-the-bottle frolics), Roseanne is a happy footnote.  Beside her name it says, “try dating a French horn player soon.”